Examines a range of Elizabeth Barrett Browning's poems drawn from across her career, to explore the concern with the search for a meaningful home which underpins much of her writing.
Analyzes the bond between lyric poetry and silence in women's sonnets ranging from the late 18th-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets.
Offers a provocative look at some of Western civilization's most infamous authors and their literary works and shows how these works have inflicted great evil in the world and still cause suffering.
Uses diverse authors to show how the wit, wisdom, and enchantment of the written word can inform and enrich nearly every aspect of life, from education and work to love and death.
Explores G.K. Chesterton's imaginative and spiritual development, from his early childhood in the 1870s to his intellectual maturity in the 1st decade of the twentieth century.
Evaluates Dostoevsky, Leo Tolstoy, Charles Dickens, Robert Louis Stevenson, Thomas Hardy, George Eliot, the Bronte sisters, Victor Hugo, Herman Melville, G.K. Chesterton, C.S. Lewis, Mark Twain, and Ralph Ellison from an orthodox Christian perspective.
Reveals which books and authors have shaped the author's life—from classic works of English literature to hard-boiled detective novels, and everything in between.
Show that Christian humanism informs a broad and important literature and encourages a genuine diversity of thought based on reason, nature, and the accomplishments of artistic genius.
Considers how Byron, Dickens, Tennyson, and Joyce responded to public speakers and examines the ways in which they conceived the relations between political speech and literary endeavor.
An overview of the work that features a biographical sketch of the author, a list of characters, a summary of the plot, and critical and analytical views of the work.
Examines the origins of Dickens vision of the French Revolution, the literary power of the text itself, and its enduring place in British culture through stage and screen adaptations.
Uses Dicken's four books - Nicholas Nickelby, Barnaby Rudge, American Notes, and Martin Chuzzlewit - to show how his traditional social philosophy lies at the heart of Dickens's artistic achievement.
Analyzes novels, nonfiction prose, poetry, paintings, and photographs to examine the ideological contradictions in Victorian representations of men at work.
Evaluates Dostoevsky, Leo Tolstoy, Charles Dickens, Robert Louis Stevenson, Thomas Hardy, George Eliot, the Bronte sisters, Victor Hugo, Herman Melville, G.K. Chesterton, C.S. Lewis, Mark Twain, and Ralph Ellison from an orthodox Christian perspective.
Places Dickens and Wilkie Collins against such important figures as John Henry Newman and George Eliot in seeking to recover their response to the religious controversies of mid-19th century England.
Offers a close analysis of novels that are uniquely representative of the 19th century, including the work of Austen, Eliot, Scott, Thackeray, Gaskell, Dickens, Trollope, Braddon, and the Bronte sisters.
Presents a panoramic view of literary life in Britain from 1870 to 1914, teasing out authors' relations with the reading public and tracing how reputations were made and unmade.
Paying special attention to her experience of faith, the author skillfully relates Dickinson's life to 19th-century American political, social, religious, and intellectual history.
Explores the impact of the war on writers including Walt Whitman, Ralph Waldo Emerson, Herman Melville, Nathaniel Hawthorne, Emily Dickinson, and Frederick Douglass.
Offers the idea that the modern "crisis of faith" is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs.
Describes the very different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing as they did, and the posthumous critical effects of their having done so.
Explores the Bible's role and influence on individual writers, whilst tracing the key developments of Biblical themes and literary theory through the ages.
Offers a comprehensive account of the literary and theological background to English devotional poetry of the seventeenth century, concentrating on Donne, Herbert, Vaughan and Crashaw.
Argues the thesis that John Donne's poetry can now profit from being read in the context of early modern cultural experience, specifically its visual culture.
Develops a history of literacy between the middle of the 16th century and the middle of the 17th century by focusing on how Protestant and Catholic paradigms of the Word affect the understanding of how meaning manifests itself in language.
Uses works by Shakespeare, Spenser, Jonson, and Donne to show that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement.
Takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world.
Hill's criticism of poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley).
Analyzes novels, nonfiction prose, poetry, paintings, and photographs to examine the ideological contradictions in Victorian representations of men at work.
Explores and celebrates the rise and development of modernist and avant-garde literatures and theories of this particular period, from Imagism to the Apocalypse movement.
Discussions of T. S. Eliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay that show how their work participated in contemporary debates about journalism.
Offers the idea that the modern "crisis of faith" is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs.
Show that Christian humanism informs a broad and important literature and encourages a genuine diversity of thought based on reason, nature, and the accomplishments of artistic genius.
Explores the Bible's role and influence on individual writers, whilst tracing the key developments of Biblical themes and literary theory through the ages.
Offers a comprehensive account of the literary and theological background to English devotional poetry of the seventeenth century, concentrating on Donne, Herbert, Vaughan and Crashaw.
Presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies.
Madeleine L'Engle's circle of friends and peers (writers, poets, scholars, theologians) provide an intimate portrait of L'Engle and respond to her writings and mentoring influence.
Presents Lewis's earlier years life when he studied privately and at Oxford, served in the British army, was wounded in France, entered into his affair with Janie Moore, and wrote and published his first book of poems.
Challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another's work.
Call #: LOWER LEVEL MAIN COLLECTION 823.9209 F183C
ISBN: 0415978882
Publication Date: 2008
A uniquely in-depth study of the crossover novel, Falconer engages with a ground-breaking range of sources, from primary texts, to child and adult reader responses, to cultural and critical theory.
Shows how Narnia relates to other imaginative worlds and children's literature about the history within the stories of Narnia and how Narnia fits into Lewis's other work.
Enables C. S. Lewis enthusiasts to gain access and understanding into the mind of the author of The Lion, the Witch, and the Wardrobe and the creator of the world of Narnia.
Call #: LOWER LEVEL MAIN COLLECTION 809.93382 G458
ISBN: 1932792473
Publication Date: 2006
Examines the specific connections between contemporary cultural meta-narratives (the stories humans typically tell about themselves) and the ideas of hope found in Christianity.
Evaluates Dostoevsky, Leo Tolstoy, Charles Dickens, Robert Louis Stevenson, Thomas Hardy, George Eliot, the Bronte sisters, Victor Hugo, Herman Melville, G.K. Chesterton, C.S. Lewis, Mark Twain, and Ralph Ellison from an orthodox Christian perspective.
Leads readers into a deeper understanding of Christ and will help them discover how these tales by C. S. Lewis beautifully expose a dynamic, joyful, loving God who wants his creatures to experience deep joy and delight.
Points out general themes in the works of C.S. Lewis, J.R.R. Tolkien, and J.K. Rowling and matches them to the ancient motifs of the biblical writings.
Covers over 500 classic and contemporary works of Christian fiction, nonfiction, poetry, and drama, providing a plot summary, analysis of Christian themes, and an annotated bibliography for each title.
Examines the important ways in which Lewis so clearly echoes Edmund Spenser's The Faerie Queen and John Milton's Paradise Lost in The Chronicles of Narnia.
Collection of his essays and critical reviews organized around the Chronicles of Narnia, Lewis's poetry, Lewis and the two women poets with whom he had lasting relationships, and a critical perspective on the way in which critical interest in Lewis has developed over the last thirty years.
Provides a guided tour of Prince Caspian that highlights characters, setting and framework, with rich background details to enhance your reading of the story.
Focuses on representative literary works that illustrate turns in the history of individuality and subjectivity and the changes in ones relations with community and society.
Uses the study of the writings of men and women in the 17th century to argues that theoretical exclusion of women from the political sphere shaped their relation to it.
Offers a comprehensive account of the literary and theological background to English devotional poetry of the seventeenth century, concentrating on Donne, Herbert, Vaughan and Crashaw.
Offers a close reading of pivotal passages and critical concerns in 'Paradise Lost' and examines Milton's presentation of Adam and Eve's relationship through the intersections of theology and gender in the poem.
Traces the process through which Spenser, Shakespeare, Milton, and others adapted, revised, or resisted romance, mapping a world of increasingly uncertain allegiances and affiliations.
Assesses Milton's significance to the development of early modern English political thought, his conception of the English nation, and his response to pressures exerted by a secular modernity grounded on international commercial activities.
Examines how a literary tradition of dissent against joining the state church after the return of monarchy in 1660 was produced by those who suffered political defeat and religious exclusion in Restoration England.
Re-evaluates claims of Milton as anti-feminist, pointing out that he was not seen that way by contemporaries, but espoused startlingly modern ideas of marriage and the relations between the sexes.
Examines patterns of ecclesiological and affective imagery in several of Milton's poems, including Lycidas, Paradise Lost, Paradise Regain'd and Samson Agonistes.
Examines the important ways in which Lewis so clearly echoes Edmund Spenser's The Faerie Queen and John Milton's Paradise Lost in The Chronicles of Narnia.
Focuses on Paradise Lost and Samson Agonistes and uses feminist and relational psychoanalytic theory to study the challenge intersubjective experience poses to doctrinal formulations of difference.
Offers a wide range of perspectives that explore our changing views of violence in a post-9/11 world and inform our understanding of a writer whose fiction abounds in violence.
Assesses the impact of the mid-century political, religious, and social milieu on novels and short stories that attract attention today and relates O'Connor to the issues of her day and concerns of the early 21st century.
Sets O'Connor and Percy against the background of the Southern Renaissance from which they emerged and showing how they shared a distinctly Christian notion of art that led them to see fiction as revelatory and how their methods of revelation took them in different directions.
Clusters the work of five masters - Anton Chekhov, James Joyce, Ernest Hemingway, Flannery O'Connor, and Raymond Carver - to offer a poetics of the form for students and scholars.
Madeleine L'Engle's circle of friends and peers (writers, poets, scholars, theologians) provide an intimate portrait of L'Engle and respond to her writings and mentoring influence.
Analyzes the bond between lyric poetry and silence in women's sonnets ranging from the late 18th-century works of Charlotte Smith, Helen Maria Williams, and Anna Maria Smallpiece to Victorian texts by Elizabeth Barrett, Christina Rossetti, Isabella Southern, and other, lesser-known female poets.
Argues that Swift turned his back on the elite to write for a popular audience and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure.
Gives a balanced treatment of Tolkien by discussing Christian elements in the Hobbits without finding Christian elements everywhere and introduces a side of Tolkien that is rarely explored but vitally important to his writings.
Challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another's work.
Traces the evolution of J.R.R. Tolkien's literary world, stories, and characters from their earliest written forms to the final revisions Tolkien penned shortly before his death in 1973.
Call #: LOWER LEVEL MAIN COLLECTION 809.93382 G458
ISBN: 1932792473
Publication Date: 2006
Examines the specific connections between contemporary cultural meta-narratives (the stories humans typically tell about themselves) and the ideas of hope found in Christianity.
Shows how a Christian worldview and Christian themes undergird Tolkien's Middle-earth writings and how they are fundamentally important to understanding his vision.
Points out general themes in the works of C.S. Lewis, J.R.R. Tolkien, and J.K. Rowling and matches them to the ancient motifs of the biblical writings.
Attempts to illuminate the structure of Tolkien's work, allowing the reader to appreciate its broad, overarching design and its careful, painstaking construction.
Takes us on the road with Tolkien, C. S. Lewis, and selected classic works of literature to show how great stories bring us so much more than entertainment.
Illuminates the multifaceted appeal of Tolkien's prose style in dimensions ranging from his fantastic realism to his revitalizing imagery to his dynamic narrative to his expansive characterization to his engaging language.
Show that Christian humanism informs a broad and important literature and encourages a genuine diversity of thought based on reason, nature, and the accomplishments of artistic genius.
Examines Tolkien's modern world fantasy with its postmodern implications and and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern.