Provides a critical discussion of ancient definitions of allegory and metaphor as merely ornamental 'tropes' and examines metaphor and allegory from a variety of perspectives and compare theory with ancient literary practice.
Presents the earliest Christian writings in a historically meaningful order and includes writings similar in age and historical importance to the books of the New Testament.
Examines the important ways in which Lewis so clearly echoes Edmund Spenser's The Faerie Queen and John Milton's Paradise Lost in The Chronicles of Narnia.