Uses three emblematic figures--Jonathan Edwards, Ralph Waldo Emerson, and William James, to examine how the Puritan legacy, especially the concept of conversion, shaped developments in American literature, theology, and pragmatist philosophy.
Tells of the unique and influential friendship between Emerson and Amos Bronson Alcott, Henry David Thoreau, and Nathaniel Hawthorne and their work that resulted in an enduring change in their nation's direction.
Focuses on Emerson and Thoreau as writers and maintains that Emerson and Thoreau were complementary literary geniuses, mutually inspiring and inspired.
Comparative study in transatlantic Romanticism, focusing on Emerson's part in the American dialogue with British Romanticism and, as filtered through Coleridge, German Idealist philosophy.
Explores the impact of the war on writers including Walt Whitman, Ralph Waldo Emerson, Herman Melville, Nathaniel Hawthorne, Emily Dickinson, and Frederick Douglass.
Zora Neale Hurston combined a hunger for research and a desire to penetrate the deepest of popular beliefs with a truly exquisite narrative talent to write novels, short stories, folktales, plays, and essays.
Study of the African American novel that seeks to answer the question: what has been the impact of the African American vernacular tradition from the spirituals, blues, gospel, and jazz to hip hop on the structure and style of the modern African American novel?
Reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged.
Designed to facilitate a richer understanding of Toni Morrison’s work and promote critical thinking by asking students to investigate issues of whiteness, historiography, critical race theory, and narratology.
Study of the African American novel that seeks to answer the question: what has been the impact of the African American vernacular tradition from the spirituals, blues, gospel, and jazz to hip hop on the structure and style of the modern African American novel?
Call #: LOWER LEVEL MAIN COLLECTION 809.9113 G823P
ISBN: 0340813717
Publication Date: 2004
Defines postmodernism, compares and contrasts it with modernism, and places it in its historical context, and discusses the major theorists of postmodernism.
Explores the modernist commitment to "unknowing" by addressing the work of three supreme experimental writers: Franz Kafka, Marcel Proust, and William Faulkner.
Traces the controversial author's life from her childhood in Russia during the Bolshevik Revolution to her years as a screenwriter in Hollywood, the publication of her blockbuster novels, and the rise and fall of the cult that formed around her in the 1950s and 1960s.
Argues that a more accurate picture of Edith Wharton's appreciation of American culture and democracy develops through less engagement with controversial views about native Americans.
Offers a wide range of perspectives that explore our changing views of violence in a post-9/11 world and inform our understanding of a writer whose fiction abounds in violence.
Assesses the impact of the mid-century political, religious, and social milieu on novels and short stories that attract attention today and relates O'Connor to the issues of her day and concerns of the early 21st century.
Sets O'Connor and Percy against the background of the Southern Renaissance from which they emerged and showing how they shared a distinctly Christian notion of art that led them to see fiction as revelatory and how their methods of revelation took them in different directions.
Clusters the work of five masters - Anton Chekhov, James Joyce, Ernest Hemingway, Flannery O'Connor, and Raymond Carver - to offer a poetics of the form for students and scholars.
Madeleine L'Engle's circle of friends and peers (writers, poets, scholars, theologians) provide an intimate portrait of L'Engle and respond to her writings and mentoring influence.
Argues that Swift turned his back on the elite to write for a popular audience and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure.